{"id":12965,"date":"2021-12-22T06:12:35","date_gmt":"2021-12-22T14:12:35","guid":{"rendered":"https:\/\/worldcampaign.net\/?p=12965"},"modified":"2022-01-02T06:20:10","modified_gmt":"2022-01-02T14:20:10","slug":"now-this-is-the-truth-dubline-review-of-books","status":"publish","type":"post","link":"https:\/\/worldcampaign.net\/?p=12965","title":{"rendered":"&#8220;Now This Is The Truth&#8221;, Dublin Review of Books"},"content":{"rendered":"<p>Maura O\u2019Kiely,\u00a0<span class=\"created\"><time>December 2021 Issue<\/time><\/span><\/p>\n<p><em>Making Nice<\/em>, by Ferdinand Mount, Bloomsbury, 248 pp, \u00a313.99, ISBN: 978-1472994387<\/p>\n<p>In his memoir <em>Cold Cream<\/em>, Ferdinand Mount told of being invited to run Margaret Thatcher\u2019s policy unit at Number 10 despite having had no experience of the workings of government. Once he got over the shock of being asked, he said yes. \u201cMy reasons for accepting the offer are pretty easy to break down: wish to make a difference, fame and flattery and above all curiosity,\u201d he wrote. \u201cWhatever else it might be it was an unrivalled opportunity to see the workings of the machine at its core.\u201d<\/p>\n<p>He has let loose with that insider knowledge in <a href=\"https:\/\/drb.ie\/articles\/now-this-is-the-truth\/\"><em>Making Nice<\/em><\/a>, a satirical fiction that sets about skewering people in public relations, politics and journalism. Mount\u2019s CV includes eleven years as editor of <em>The Times Literary Supplement<\/em> as well as that stint as prime minister\u2019s speechwriter, so who better to send up politicians and their special advisers (spads) and have a swipe at journalists while they\u2019re at it? (The book is even dedicated to \u201cmy fellow Wonks and Spads, who have so diverted me over the years\u201d.)<\/p>\n<p>The book has numerous storylines but let\u2019s just look at a few, and start near the beginning. Summoned to his managing editor\u2019s office in London for one of those meetings where coffee isn\u2019t offered, diplomatic correspondent Dickie Pentecost is told that his job has become obsolete in a digitally-transforming newspaper. With casual brutality he is fired, the explanation being that his reports are of no use whatsoever when \u201ceven the Foreign Secretary is tweeting like a bloody blue tit\u201d.<\/p>\n<p>In no time at all Dickie, desperate to find well-paid employment, has been enticed into a London public relations firm, one with a dubious client list and a sideline in \u201creputation management\u201d, a service every bit as shady as it sounds. What could possibly go wrong? Everything, of course. The PR agency is headed by Ethelbert \u201cEthel\u201d Evers, a cunning middleman with the sort of dishevelled appearance that requires very careful curating. Before you can say \u201cDominic Cummings\u201d he is running Dickie\u2019s life.<\/p>\n<p>Ethel sends his new recruit to Africa, as a consultant to a tech firm that\u2019s helping with the re-election of a political candidate. When Dickie voices concerns about his own suitability for the (suspiciously well-paid) assignment, he\u2019s told: \u201cOh, the techies will handle all the data mining and message seeding. You\u2019ll be there to inject legitimacy into the whole process \u2011 you\u2019ll have the UN guys eating out of your hands. Quite frankly, having a Brit as our campaign director is the ultimate cred boost.\u201d Plenty of nods in this chapter to Evelyn Waugh\u2019s innocent abroad in <em>Scoop<\/em>, and digs at the kind of relationships between journalists and big business that are just that bit too cosy.<\/p>\n<p>When his first foreign posting ends abruptly (\u201cCome on, Dickie, Africa was yesterday, it didn\u2019t happen\u201d) he\u2019s dispatched to Chicago as principal political strategist for a Republican senator seeking the presidential nomination. The politician doesn\u2019t need to be convinced that manipulating data and promoting content is how to win a modern election. \u201cI\u2019m pretty big on data myself,\u201d he says. \u201cThat\u2019s the way to get up close and personal with the voters. You can\u2019t just wave to them from some godforsaken whistle-stop any more \u2026 you\u2019ve got to find out about their bank balances, mortgages, health insurance, find out where it\u2019s really hurting.\u201d The US election interlude is humorous and incisive, but also revealing about the high-stakes world of an American election campaign.<\/p>\n<p>Mount is clearly writing from experience about the workings of Westminster, where the ever-bewildered Dickie later finds himself a special adviser to the secretary of state. There are strong echoes here of the timeless <em>Yes Minister<\/em>, also a fictional satire that gave us credible insights into another world. And the point is made \u2013 it\u2019s one often alluded to by writers with insider knowledge of the corridors of power \u2011 that it always pays to be nice to your underlings. Andrew Mitchell, for example, in his recent memoir <em>Beyond a Fringe: Tales from a Reformed Establishment Lackey<\/em>, tells of the lessons he learned during his time as a Tory MP, including the importance of looking after department officials. By way of example, he recalls a minister who treated his officials so badly that, when reading out an important speech in the House of Commons, he turned a page to see just five words: \u201cYou\u2019re on your own, minister.\u201d<\/p>\n<p>Every so often, in the midst of lies and subterfuge and when you least expect it, Mount surprises with a touching description. Pondering his family\u2019s sudden realisation that he is redundant, Dickie takes a moment to imagine how their small cluster must look, \u201cthe five of us frozen in these postures of grief as in a baroque altarpiece of some much more profound sense of bereavement, the Crucifixion perhaps or the Piet\u00e0 when all I had been bereaved of was a not very good job on a not very good newspaper, neither of which would soon exist if present trends continued\u201d.<\/p>\n<p><em>Making Nice<\/em> also takes notice of the reality of being made redundant when middle-aged, of having to repackage yourself and compromise. It holds up a mirror too to middle class parenthood, its particular satisfactions and disappointments. Here\u2019s the forlorn Dickie, caught up in yet another underhand assignment, remembering a ballet performance by one of his daughters: \u201cIt had been so heart-stopping to see the child you knew so well fly into this magical other world of which you knew nothing.\u201d Mount does that a lot: surprises the reader with a sentimental moment. He did it to great effect in <em>Kiss Myself Goodbye<\/em>as he peeled back the layers of his aunt\u2019s invented life; and frequently also in <em>Cold Cream<\/em>.<\/p>\n<p>Throughout <em>Making Nice<\/em>, there are truths that the author may well have learned through personal experience. As when Dickie voices reluctance about having to ghostwrite a politician\u2019s autobiography \u2011 because the man is so thoroughly repellent \u2011 and his wife tells him: \u201cBut, darling, that\u2019s the whole point. Much more fun to be ghosting a monster than ploughing through all the great achievements of some famous goody-goody. Robert Maxwell or David Attenborough? No contest surely?\u201d Likewise when an American analytics director explains to Dickie how a sense of humour is the rarest quality in a political candidate \u2013 Ronald Reagan being the exception cited \u2011 and one that cannot be faked. (When writing in <em>Cold Cream<\/em> of his own experiences with Margaret Thatcher, Mount noted it was well-known that she was resistant to humour and that she often had to have jokes explained to her.)<\/p>\n<p>And if all of the above isn\u2019t enough excitement, there\u2019s a reality shift near the end, which I\u2019m not sure works, a whimsical sequence with Ethel, who has made the classic mistake of thinking he is the story, acting out the vengeful Pied Piper. There are suggestions of darker sensibilities but it all gets too fanciful. Perhaps the author was enjoying himself a little too much writing it.<\/p>\n<p>So yes, some of the storyline is absurd, but it\u2019s worth going along for the ride. For many of us, the book will provide an engaging education in practices such as data mining, big-tech venality, high-tech election fraud, oh and some fresh hell called astroturfing (in this case it\u2019s the PR agency mobilising youngsters to write glowing reviews about second-rate hotels). On the broader stage, the tabloidisation of political campaigns, and the reach and capabilities of global digital platforms are offered up.<\/p>\n<p>We are certainly living in interesting times: the author presents the carry-on of the main players, especially those involved in the spin industry \u2011 or, if you prefer, news management \u2011 as mainstream and commonplace. We\u2019ve come a very long way since special adviser Jo Moore\u2019s 2001 email suggestion that 9\/11 was a good day \u201cto bury bad news\u201d (leaked, unfortunately for her, while the towers were still burning) caused such widespread repulsion and calls for her sacking.<\/p>\n<p>Moving easily between comedy and tragedy, <em>Making Nice<\/em> has memorable observations. Of his oncologist wife, who comes across as somewhat aloof, Dickie thinks, \u201cShe is not the first person I would choose to tell me that from now on it\u2019s palliative care only.\u201d Mount, such an elegant writer, can make you want to read a description more than once. For instance in this scene, set in a Chicago jazz club, just as the show was about to begin: \u201cThe elderly jazzmen shuffled onto the little horseshoe stage, wrinkled tortoises joshing each other as they settled their instruments over their bent shoulders for the opening number \u2026\u201d<\/p>\n<p>But most of all, <em>Making Nice<\/em> is about the kind of people who have no interest in the common good, those to whom lying comes naturally. Caught in the middle is Dickie Pentecost, forever out of his depth and content to wait it out. By the time he is dropped as a minister\u2019s aide, yet another post for which he is clearly unsuitable, the slave is happy to be free, or as free as he ever will be. \u201cThe truth is I take quite kindly to being boxed in,\u201d he muses at one point. \u201cIf I had been a prisoner of war, I would never have joined the escape committee.\u201d<\/p>\n<p>Anything that throws a light on how politics actually functions must be welcomed, even if it leaves us with uneasy thoughts about how easy it is for unelected elites to guide affairs of state. If Ferdinand Mount\u2019s intention was to alarm readers with shrewd observations presented as satire, then he has succeeded. A clever mockery that entertains and challenges? Definitely. Far-fetched? Maybe not.<\/p>\n<p><em>Maura O\u2019Kiely is an <\/em>Irish Times<em> journalist.<\/em><\/p>\n<div class=\"share-print\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Maura O\u2019Kiely,\u00a0December 2021 Issue Making Nice, by Ferdinand Mount, Bloomsbury, 248 pp, \u00a313.99, ISBN: 978-1472994387 In his memoir Cold Cream, Ferdinand Mount told of being invited to run Margaret Thatcher\u2019s policy unit at Number 10 despite having had no experience of the workings of government. Once he got over the shock of being asked, he [&hellip;]<\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53],"tags":[],"_links":{"self":[{"href":"https:\/\/worldcampaign.net\/index.php?rest_route=\/wp\/v2\/posts\/12965"}],"collection":[{"href":"https:\/\/worldcampaign.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worldcampaign.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worldcampaign.net\/index.php?rest_route=\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/worldcampaign.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12965"}],"version-history":[{"count":4,"href":"https:\/\/worldcampaign.net\/index.php?rest_route=\/wp\/v2\/posts\/12965\/revisions"}],"predecessor-version":[{"id":12969,"href":"https:\/\/worldcampaign.net\/index.php?rest_route=\/wp\/v2\/posts\/12965\/revisions\/12969"}],"wp:attachment":[{"href":"https:\/\/worldcampaign.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12965"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worldcampaign.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12965"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worldcampaign.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12965"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}