{"id":16543,"date":"2025-07-13T20:46:55","date_gmt":"2025-07-14T03:46:55","guid":{"rendered":"https:\/\/worldcampaign.net\/?p=16543"},"modified":"2025-11-15T22:55:32","modified_gmt":"2025-11-16T06:55:32","slug":"issue-of-the-week-hunger-disease-human-rights-economic-opportunity-war-environment-population-personal-growth","status":"publish","type":"post","link":"https:\/\/worldcampaign.net\/?p=16543","title":{"rendered":"Issue of the Week: Hunger, Disease, Human Rights, Economic Opportunity, War, Environment, Population, Personal Growth"},"content":{"rendered":"\n<p><strong><a href=\"https:\/\/planetearthfdn.org\/news\">Back to News<\/a><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img decoding=\"async\" src=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/6062af55fb4f3d0797cef766\/f4d1b9e4-67e1-4a57-a47e-4ae1f9ca7b9a\/live-aid-3.jpg\" alt=\"\" style=\"width:821px;height:auto\"\/><\/figure>\n\n\n\n<p><em>Planet Earth Foundation, World Campaign, Issue of the Week, July 13, 2015<\/em><\/p>\n\n\n\n<p>Today, 40 years ago, the most extraordinary global broadcast of the most extraordinary concert to raise funds to feed the hungry, reaching about 2 billion people, at the time close to half the population of the planet (by percentage the single largest broadcast venue of all times), was occurring in the UK and US simultaneously.<\/p>\n\n\n\n<p>Live Aid.<\/p>\n\n\n\n<p>Anyone alive and conscious at the time will have shivers up and down their spine thinking about it and will never forget it.<\/p>\n\n\n\n<p>Everyone can see the story, and what followed in impact for many years, starting today, in the four-part documentary co-produced by the BBC and CNN, <a href=\"https:\/\/www.cnn.com\/live-aid-when-rock-n-roll-took-on-the-world\">Live Aid: When Rock &#8216;n&#8217; Roll Took On the World<\/a>.<\/p>\n\n\n\n<p>You will see on the site an article about the last day of USAID, with Presidents Obama and Bush and the artist and activist Bono&#8211;whose iconic performance at Live Aid launched him into superstardom, but more importantly began a lifetime of activism&#8211;being with employees of USAID, denouncing the incomprehensible barbarism of Trump in shuttering it and condemning countless millions to death, and thanking these extraordinary workers for humanity as the &#8220;best of us.&#8221;<\/p>\n\n\n\n<p>We have focussed heavily on this issue as readers know, as it also is at the heart of our work from the start, and we left last week&#8217;s post up until now because of the importance of the issue.<\/p>\n\n\n\n<p>Besides urging you to watch the documentaries on CNN and the BBC, we urge you to watch the concert (you can find it in searching) and to read everything you can about this unparalleled moment about the best of humanity coming to the fore.<\/p>\n\n\n\n<p>We also cannot urge you enough to read our post from ten years ago, on the thirtieth anniversary, reposted as the third installment of our series, The End Of Civilization As We Knew It, on July 13, 2018 filled with information, including about our role, and links to the concert and the story, especially the BBC documentary in full broadcast on the twentieth anniversary. There&#8217;s nothing like any of it.<\/p>\n\n\n\n<p>First, an interview in today&#8217;s New York Times of Bob Geldof, who is responsible for the creation of Live Aid. No words can meet the moment, then and since, of what a singularly great person he is.<\/p>\n\n\n\n<p>We end here for now quoting Bob Geldof at the end of the article below.<\/p>\n\n\n\n<p><em>We\u2019re in a radically different world now. It\u2019s the argument between nationalism and internationalism.<\/em><\/p>\n\n\n\n<p><em>What is profoundly shocking is the cackling glee with which the Trump-Vance-Musk triumvirate went about declaring war on the weakest and most vulnerable people of our planet. America was always the most generous by far of all the countries.<\/em><\/p>\n\n\n\n<p><em>Why would great America do that, while the richest man on the planet cackles that we\u2019re going to&nbsp;<a href=\"https:\/\/x.com\/elonmusk\/status\/1886307316804263979\" target=\"_blank\" rel=\"noreferrer noopener\">feed U.S.A.I.D. into the wood chipper<\/a>? It is grotesque, it is a disgrace to the country<\/em>.<\/p>\n\n\n\n<p><em>Musk said that the&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=sSOxPJD-VNo\" target=\"_blank\" rel=\"noreferrer noopener\">great weakness of Western civilization is empathy<\/a>. You fool. Empathy is the glue of humanity. It is the basis of civilization<\/em>:<\/p>\n\n\n\n<p><a href=\"https:\/\/www.nytimes.com\/2025\/07\/13\/arts\/music\/live-aid-bob-geldof-anniversary.html#:~:text=New%20York%20Times-,40%20Years%20After%20Live%20Aid%2C%20It's%20Still%20Personal%20for%20Bob,it%20could%20not%20happen%20now.&amp;text=On%20Oct.%2023%2C%201984%2C,to%20watch%20the%20evening%20news.\" data-type=\"link\" data-id=\"https:\/\/www.nytimes.com\/2025\/07\/13\/arts\/music\/live-aid-bob-geldof-anniversary.html#:~:text=New%20York%20Times-,40%20Years%20After%20Live%20Aid%2C%20It's%20Still%20Personal%20for%20Bob,it%20could%20not%20happen%20now.&amp;text=On%20Oct.%2023%2C%201984%2C,to%20watch%20the%20evening%20news.\">&#8220;40 Years After Live Aid, It\u2019s Still Personal for Bob Geldof&#8221;<\/a><\/p>\n\n\n\n<p>The rock star-turned-activist reflects on the 1985 benefit concert and why it could not happen now.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static01.nyt.com\/images\/2025\/07\/13\/multimedia\/13cul-geldof-tgbc\/13cul-geldof-tgbc-articleLarge.jpg?quality=75&amp;auto=webp&amp;disable=upscale\" alt=\"Bob Geldof wearing a black T-shirt and white jeans.\"\/><figcaption class=\"wp-element-caption\">The singer and activist Bob Geldof at home in London. The Live Aid shows were seen by about 1.5 billion people in more than 150 countries and would go on to raise more than $140 million.Credit&#8230;Chris Hoare for The New York Times<\/figcaption><\/figure>\n\n\n\n<p>By&nbsp;<a href=\"https:\/\/www.nytimes.com\/by\/ravi-mattu\">Ravi Mattu<\/a><\/p>\n\n\n\n<p>Reporting from London<\/p>\n\n\n\n<ul>\n<li>July 13, 2025<\/li>\n<\/ul>\n\n\n\n<p>On Oct. 23, 1984, Bob Geldof, the lead singer of the Irish rock band the Boomtown Rats, sat down at home in London to watch the evening news. It changed his life \u2014 and saved the lives of millions more.<\/p>\n\n\n\n<p>The BBC&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=XYOj_6OYuJc\" rel=\"noreferrer noopener\" target=\"_blank\">ran a report<\/a>&nbsp;on what it called a \u201cbiblical famine\u201d in Ethiopia caused by drought and exacerbated by civil war. Searing images of emaciated and naked children were beamed for the first time into homes across Britain, and then&nbsp;<a href=\"https:\/\/www.nbcnews.com\/news\/world\/how-report-ethiopias-biblical-famine-changed-world-n232126\" rel=\"noreferrer noopener\" target=\"_blank\">around the world<\/a>.<\/p>\n\n\n\n<p>Geldof was incensed and horrified. How could this be happening in the 20th century? And what could he \u2014 an angry pop star \u2014 do about it?<\/p>\n\n\n\n<p>On Sunday, it\u2019s 40 years since&nbsp;<a href=\"https:\/\/www.youtube.com\/playlist?list=PLf43ROh3SnRaXaUILmeR4o7SnovPl312L\" target=\"_blank\" rel=\"noreferrer noopener\">Live Aid<\/a>, two epic concerts held in London and Philadelphia that he helped organize in response to that question. They were arguably the most successful charity events in history, and have a claim to be among the best gigs ever, too.<\/p>\n\n\n\n<p>Geldof persuaded many of the world\u2019s most top artists at the time to play for free, including Queen, David Bowie, Madonna, the Who, Elton John, Tina Turner and Paul McCartney. The shows were seen by about 1.5 billion people in more than 150 countries and would go on to&nbsp;<a href=\"https:\/\/www.oldvictheatre.com\/stories\/10-facts-about-the-history-of-live-aid\/\" rel=\"noreferrer noopener\" target=\"_blank\">raise more than $140 million<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static01.nyt.com\/images\/2025\/07\/13\/multimedia\/13cul-geldof-jwhq\/13cul-geldof-jwhq-articleLarge.jpg?quality=75&amp;auto=webp&amp;disable=upscale\" alt=\"A group of musicians, including George Michael, Paul McCartney and Freddie Mercury, holding microphones and singing on a stage.\"\/><figcaption class=\"wp-element-caption\">Stars including George Michael, left; Paul McCartney, fourth from left; and Freddie Mercury, second from right, during the Live Aid Concert at Wembley Stadium in London on July 13, 1985.Credit&#8230;Joe Schaber\/Associated Press<\/figcaption><\/figure>\n\n\n\n<p>The concerts followed the success of the Band Aid charity single,&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=RH-xd5bPKTA&amp;list=RDRH-xd5bPKTA&amp;start_radio=1\" rel=\"noreferrer noopener\" target=\"_blank\">\u201cDo They Know It\u2019s Christmas?\u201d<\/a>, which Geldof had co-written with the singer Midge Ure and released the previous year. The song featured a who\u2019s who of British music, and raised 8 million pounds (about $9 million at the time). It also inspired Harry Belafonte to organize an American equivalent,&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=9AjkUyX0rVw&amp;list=RD9AjkUyX0rVw&amp;start_radio=1\" rel=\"noreferrer noopener\" target=\"_blank\">\u201cWe Are the World,\u201d<\/a>&nbsp;which remains one of the best-selling singles in history.<\/p>\n\n\n\n<p>Live Aid transformed Geldof into one of the world\u2019s best-known and most successful activists. The Band Aid Charitable Trust, a foundation he co-created, is still funding international development projects to alleviate poverty and hunger in Africa. These include supporting maternal health care facilities in Ethiopia and a program to provide meals for children.<\/p>\n\n\n\n<p>To mark the Live Aid anniversary, the&nbsp;<a href=\"https:\/\/www.bbc.co.uk\/iplayer\/episode\/m002fp3r\/live-aid-at-40-when-rock-n-roll-took-on-the-world-series-1-episode-1\" rel=\"noreferrer noopener\" target=\"_blank\">BBC<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/edition.cnn.com\/live-aid-when-rock-n-roll-took-on-the-world\" rel=\"noreferrer noopener\" target=\"_blank\">CNN<\/a>&nbsp;have co-produced a documentary series, \u201cLive Aid: When Rock \u2019n\u2019 Roll Took On the World.\u201d It also covers Band Aid and&nbsp;<a href=\"https:\/\/www.youtube.com\/channel\/UCckKR1kDbRKXJArtGYh6drQ\" rel=\"noreferrer noopener\" target=\"_blank\">Live 8<\/a>, concerts that Geldof organized in 2005 that helped pressure the world\u2019s richest countries to cut the debt owed by the poorest countries and increase aid spending.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static01.nyt.com\/images\/2025\/07\/13\/arts\/13cul-geldof-03\/13cul-geldof-03-articleLarge.jpg?quality=75&amp;auto=webp&amp;disable=upscale\" alt=\"An emaciated child eats a biscuit as other starving children lie on the ground nearby.\"\/><figcaption class=\"wp-element-caption\">A medical and food distribution center in Ethiopia in November 1984 during what the BBC called a \u201cbiblical famine.\u201dCredit&#8230;Finn Frandsen\/Polphoto, via Agence France-Presse \u2014 Getty Images<\/figcaption><\/figure>\n\n\n\n<p>Geldof, 73, is currently on tour for another anniversary \u2014 celebrating 50 years since the founding of the Boomtown Rats \u2014 and spoke in a video interview from Novi Sad, Serbia, where the band performed last week. This conversation has been condensed and edited for clarity.<\/p>\n\n\n\n<p><strong>Tell me about that day in 1984 when you saw the BBC report.<\/strong><\/p>\n\n\n\n<p>I was anxious at the time. I don\u2019t think my band had made a great record, and we weren\u2019t getting in the charts. A measure of how well we were not doing was I was home at 6 o\u2019clock: Pop singers should not be doing 9 to 5.<\/p>\n\n\n\n<p>But everyone in Britain came home and watched the 6 o\u2019clock news. The BBC gave this story about famine in Africa about eight minutes \u2014 the reporter went to the epicenter of the famine in Korem, Ethiopia, and sent this devastating piece of journalism. The objective truth and the subjective rage of what he was telling us about was evident, and certainly struck me.<\/p>\n\n\n\n<p>We were riveted by the prurience and the horror of it. This other world was suddenly thrown at us. I very much remember those images, and if you force me to articulate them again, I start crying again. Those images are the things that my mind will not allow me to obliterate.<\/p>\n\n\n\n<p><strong>Yet you revert to those images when you want people to understand the horror of what motivated you in the first place.<\/strong><\/p>\n\n\n\n<p>I suppose it\u2019s been the animus through the years. I can lobby and write policy, but when push comes to shove, it\u2019s only the end object that animates me to act.<\/p>\n\n\n\n<p>It can come to a head in a personal way. In Montreal last November, I was staying at a posh hotel. My wife ordered breakfast. The guy arrived and asked if he could say hello to her husband. He came into the room in an ill-fitting suit, pushing the trolley. He was a small guy and obviously Ethiopian.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static01.nyt.com\/images\/2025\/07\/13\/arts\/13cul-geldof-02\/13cul-geldof-02-articleLarge.jpg?quality=75&amp;auto=webp&amp;disable=upscale\" alt=\"Geldof, in a T-shirt reading \u201cFeed the World,\u201d and Midge Ure stand in a street.\"\/><figcaption class=\"wp-element-caption\">Geldof and the singer Midge Ure in London in 1984. They wrote the single \u201cDo They Know It\u2019s Christmas?\u201d together.Credit&#8230;Larry Ellis\/Express Newspapers, via Getty Images<\/figcaption><\/figure>\n\n\n\n<p>He said, \u201cCan I shake your hand?\u201d He then stood bolt upright \u2014 he had prepared this \u2014 and made a speech at me. He didn\u2019t know who his parents were, he had been in Korem, and said he was raised on Band Aid food in a Band Aid orphanage, and he got to Paris to study catering and he was now here.<\/p>\n\n\n\n<p>I asked if he had a family and he said yeah, he had met an Ethiopian girl and he showed me a picture of her and his two cute kids, 8 and 9.<\/p>\n\n\n\n<p>Then he suddenly rushed at me and hugged me, and laid his head on my chest and said, \u201cThank you for my sons, thank you for my life.\u201d<\/p>\n\n\n\n<p>Obviously, Live Aid and Band Aid were the work of thousands of people. But you know, it worked.<\/p>\n\n\n\n<p><strong>But there is a difference between being enraged and actually doing something.<\/strong><\/p>\n\n\n\n<p>What I\u2019ve learned is that it is no use walking around singing, \u201cWe Shall Overcome.\u201d Because you won\u2019t. Singing the song isn\u2019t enough. Protests songs are only ever protests songs. Music can be a call to arms, but music itself changes nothing. It won\u2019t go further unless you are determined to act upon it.<\/p>\n\n\n\n<p>The bands at Live Aid were the Pied Pipers, and the audience gathered around the electronic hearth of television and radio. The symbolism of it all carried through to 20 years of lobbying to change policy.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static01.nyt.com\/images\/2025\/07\/13\/multimedia\/13cul-geldof-bwlf\/13cul-geldof-bwlf-articleLarge.jpg?quality=75&amp;auto=webp&amp;disable=upscale\" alt=\"Geldof reclines on a sofa and looks out a window.\"\/><figcaption class=\"wp-element-caption\">\u201cSinging the song isn\u2019t enough,\u201d Geldof said. \u201cIt won\u2019t go further unless you are determined to act upon it.\u201dCredit&#8230;Chris Hoare for The New York Times<\/figcaption><\/figure>\n\n\n\n<p><strong>You saw music as a platform to do things. Could Live Aid happen today?<\/strong><\/p>\n\n\n\n<p>I don\u2019t think it\u2019s possible now. Society has changed. The web is an isolating technology. It knows what you are, it drives you, it gives you what it thinks you want, and as you get jaded it gives you more extreme versions of that.<\/p>\n\n\n\n<p>Now, music is free and you get the news that you want to see. The web is an echo chamber of your own prejudices, so you only hear the music that it thinks you like. It\u2019s a silo of the self. So I don\u2019t think music can survive being the spine of the culture as it was.<\/p>\n\n\n\n<p><strong>\u201cBohemian Rhapsody,\u201d the 2018 film about the singer Freddie Mercury, suggests that Queen\u2019s Live Aid performance was the moment when the donations started flowing in.<\/strong><\/p>\n\n\n\n<p>The movie isn\u2019t right.&nbsp;<a href=\"https:\/\/www.youtube.com\/playlist?list=PLf43ROh3SnRZqalKKIW_C2uHUYzgSWsKA\" rel=\"noreferrer noopener\" target=\"_blank\">Queen<\/a>&nbsp;were completely, utterly brilliant. But the telephone lines collapsed after David Bowie performed.<\/p>\n\n\n\n<p>I was given the outtakes of a report that the Canadian Broadcasting Corporation couldn\u2019t show, because it was just so appalling, the visual images. The editor had cut the&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=9xIpHNd3hjU&amp;rco=1\" rel=\"noreferrer noopener\" target=\"_blank\">film<\/a>&nbsp;in Addis Ababa to the tune of \u201cDrive,\u201d the Cars song, and it\u2019s worse than the BBC report.<\/p>\n\n\n\n<p>Harvey Goldsmith, the concert promoter, and I had gone to see David about what songs he would sing. But before we started talking about the songs, I said, \u201cLook at this thing,\u201d and I put it on.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static01.nyt.com\/images\/2025\/07\/13\/arts\/13cul-geldof\/13cul-geldof-articleLarge.jpg?quality=75&amp;auto=webp&amp;disable=upscale\" alt=\"David Bowie, in a blue suit, sings into a microphone in front of a huge crowd in a stadium.\"\/><figcaption class=\"wp-element-caption\">David Bowie during the Live Aid concert at Wembley in 1985. Donations started flowing in after his performance.Credit&#8230;Georges De Keerle\/Getty Images<\/figcaption><\/figure>\n\n\n\n<p>David was crying and said he would cut a song from his set to show the CBC report instead. It\u2019s an extraordinary moment during the concert, because at the end of&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=JFHC6t13hi0&amp;list=PLf43ROh3SnRZqalKKIW_C2uHUYzgSWsKA&amp;index=11\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cHeroes,\u201d<\/a>&nbsp;which the crowd were all singing, he quietly introduces the clip and asks people to send their money in. It was like a slap in the face.<\/p>\n\n\n\n<p>Bowie brought the house down. That was the key moment.<\/p>\n\n\n\n<p><strong>How do you respond to criticism that you and Live Aid are examples of a \u201cwhite savior\u201d complex? You have said it simply isn\u2019t relevant when you are dealing with an emergency or disaster.<\/strong><\/p>\n\n\n\n<p>There is nothing to argue. It\u2019s nonsense, like any dogma. It\u2019s like Catholicism that says you are born with original sin. Or Freudianism. It\u2019s theory and notional. It\u2019s not even worth entertaining. It doesn\u2019t exist.<\/p>\n\n\n\n<p><strong>You have always been pragmatic with your activism, and you\u2019ve dealt with politicians of all stripes. How do you feel about President Trump and Elon Musk, and their decision to gut U.S.A.I.D., which worked in many of the areas and causes that you have fought for?<\/strong><\/p>\n\n\n\n<p>We\u2019re in a radically different world now. It\u2019s the argument between nationalism and internationalism.<\/p>\n\n\n\n<p>What is profoundly shocking is the cackling glee with which the Trump-Vance-Musk triumvirate went about declaring war on the weakest and most vulnerable people of our planet. America was always the most generous by far of all the countries<em>.<\/em><\/p>\n\n\n\n<p>Why would great America do that, while the richest man on the planet cackles that we\u2019re going to&nbsp;<a href=\"https:\/\/x.com\/elonmusk\/status\/1886307316804263979\" rel=\"noreferrer noopener\" target=\"_blank\">feed U.S.A.I.D. into the wood chipper<\/a>? It is grotesque, it is a disgrace to the country.<\/p>\n\n\n\n<p>Musk said that the&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=sSOxPJD-VNo\" rel=\"noreferrer noopener\" target=\"_blank\">great weakness of Western civilization is empathy<\/a>. You fool. Empathy is the glue of humanity. It is the basis of civilization.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.nytimes.com\/by\/ravi-mattu\">Ravi Mattu<\/a>&nbsp;is the managing editor of&nbsp;<a href=\"https:\/\/www.nytimes.com\/section\/business\/dealbook\">DealBook<\/a>, based in London. He joined The New York Times in 2022 from the Financial Times, where he held a number of senior roles in Hong Kong and London.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>. . .<\/strong><\/p>\n\n\n\n<h1 class=\"wp-block-heading\">Issue of the Week: Hunger, Disease, Economic Opportunity, Human Rights, War, Environment, Population, Personal Growth<\/h1>\n\n\n\n<p>Published&nbsp;July 15, 2018<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/worldcampaign.net\/wp-content\/uploads\/2018\/07\/live-aid-3-300x225.jpg\" alt=\"\" class=\"wp-image-3788\" srcset=\"https:\/\/worldcampaign.net\/wp-content\/uploads\/2018\/07\/live-aid-3-300x225.jpg 300w, https:\/\/worldcampaign.net\/wp-content\/uploads\/2018\/07\/live-aid-3-150x113.jpg 150w, https:\/\/worldcampaign.net\/wp-content\/uploads\/2018\/07\/live-aid-3.jpg 640w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n\n\n<p>Live Aid, July 13, 1985, BBC \u201cLive Aid, Against All Odds\u201d, 2005<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/worldcampaign.net\/?p=3780\">The End Of Civilization As We Knew It, Part Three<\/a><\/strong><\/p>\n\n\n\n<p>We continue to look backward and forward in our reflection on how history has, in an ongoing process, moved backward and forward simultaneously in terms of progress, bringing us to the current crossroads in the history of civilization.<\/p>\n\n\n\n<p>As noted in previous posts, our initial documentary film on world hunger catalyzed a White House policy that nearly changed the world in the most far-reaching manner. It could have delivered on FDR\u2019s promise of a second bill of rights after World War Two for America and the world, the world revolution Dr. King called for and warned would happen one way or another, and the natural imperative of both basic needs and rights for everyone moved toward, by turns incrementally and explosively in the face of regression, throughout history. It moved things forward importantly, but it failed at what could have happened. Many things influenced the outcome and what has happened since. We will continue with that.<\/p>\n\n\n\n<p>Now, we focus on one of the enormous steps forward.<\/p>\n\n\n\n<p>The time was the mid-eighties.<\/p>\n\n\n\n<p>In some ways the world seemed closer to nuclear war between the US and allies and Soviet Union and allies than since the Cuban Missile Crisis, over two decades earlier. The Cold War bipolar world in which there were two superpowers capable of destroying each other and the planet seemed as if it was a permanent reality. However, UK Prime Minister Margaret Thatcher had told the world on BBC (and US President Ronald Reagan directly) after meeting with Soviet Premiere Mikhail Gorbachev, that the West could do business with him. Hope was on the horizon.<\/p>\n\n\n\n<p>The anti-apartheid movement in the US and Western nations was growing, regardless of the Cold War alignments by governments. Cold War related conflicts in Africa, Central and South America, and elsewhere, led to atrocities on all sides, and invariably had deeper underlying causes of hunger, poverty, control of land and resources and all the usual issues surrounding inequality. The Soviet invasion of Afghanistan was just over-halfway through its decade-long, history-changing impact.<\/p>\n\n\n\n<p>The scope of the AIDS pandemic was still unfolding. It was considered a gay disease because of US experience, even after the CDC in 1984 reported that women contracted the disease as well. Homophobia and fear of the disease were still prevalent, but the movement to change this and to find treatment to stop it from being a death sentence was gaining momentum. The fact that the disease was mainly impacting Africa and mainly transmitted through heterosexuals, effecting women as well as men, was not yet in focus. Much less the scope of the pandemic which did, and still could, threaten the entire species, with all the progress made. There are approximately 37 million people currently living with HIV-AIDS and over a million a year dying from it.<\/p>\n\n\n\n<p>Environmental issues were a mainstream concern, but the issue of climate change was virtually unknown, although that was about to change.<\/p>\n\n\n\n<p>Progress was being made in basic needs and economic inequality in much of the developing world, but still only to a point. In the US and UK, ironically, a downward spiral to this moment of economic inequality was in its beginning years, unrecognized generally at the time.<\/p>\n\n\n\n<p>The ethos of the time in the US, spilling over with its economic and cultural influence elsewhere, was increasingly focused on personal gain and gratification.<\/p>\n\n\n\n<p>This is just a brief overview for context.<\/p>\n\n\n\n<p>Everything was in flux.<\/p>\n\n\n\n<p>A moment occurred on October 23, 1984, when the airwaves were permeated by a&nbsp;<a href=\"https:\/\/www.bbc.com\/news\/av\/magazine-29691158\">BBC report<\/a>, topping even&nbsp;<a href=\"https:\/\/www.nbcnews.com\/news\/world\/how-report-ethiopias-biblical-famine-changed-world-n232126\">network reports in the US<\/a>, of the most horrific images of famine and starvation, especially of children, in Africa, never before viewed on such a scale.<\/p>\n\n\n\n<p>Which led to an indisputably world-changing event in the historical collective genes.<\/p>\n\n\n\n<p>Three years ago, yesterday, we posted a piece, updated twice, on the 30<sup>th<\/sup>anniversary of the Live Aid concert in London and Philadelphia, broadcast live worldwide on television and radio, to the largest audience in human history.<\/p>\n\n\n\n<p>It speaks for itself.<\/p>\n\n\n\n<p>7.14.15:<\/p>\n\n\n\n<p>(TWO UPDATES BELOW):<\/p>\n\n\n\n<p>Thirty years ago, yesterday, the Live Aid concert and broadcast changed the world.<\/p>\n\n\n\n<p>On July 13, 1985, the most extraordinary global broadcast in human history in many ways occurred\u2013of the Live Aid concert for famine relief in Africa, specifically Ethiopia, and addressing the issue of world hunger in general.<\/p>\n\n\n\n<p>We were deeply involved through the use in the Live Aid TV and radio broadcasts of the information from our first film on hunger, \u201cThe Hungry Planet\u201d, which led to the White House Hunger Working Group and an enormous change in attitude and approach to developmental aid to end hunger, and a second film, \u201cI Want To Live\u201d, produced with the late John Denver, who became involved because of our first film.<\/p>\n\n\n\n<p>On TV, between music sets, celebrities appeared saying that hunger could be ended, that there was more than enough food, that all the interrelated problems of could be addressed, that many things that had seemed impossible in human history, like going to the moon, had been done. They would read short but searing and informational statements\u2014such as: \u201cEvery year, 13 to 18 million people, mostly infants and children, die from hunger.\u201d<\/p>\n\n\n\n<p>As we have described at length often, this went to the heart of why hunger was the first focus of our work for so many years. It was the worst ongoing killer in history and as much as all the other great problems facing humanity were related and critical\u2014the hungry child was the one unifying theme in an otherwise polarized world about most issues.<\/p>\n\n\n\n<p>Live Aid was the next step in global consciousness required to get us where we are today, cutting these deaths in half or more\u2014still an incomprehensible evil when there is more than enough to feed everyone (and the resources to deal with related disease causing these deaths as well), with the knowledge largely in hand to create successful sustainable development and resources a matter of political will\u2014but still an enormous accomplishment in the effort to end hunger and millions of childhood deaths from hunger and disease every year.<\/p>\n\n\n\n<p>Furthermore, we would now put the rights of children, period, starting with the youngest, to be free from abuse, neglect or denied any basic needs, including food, as the center of changing the world\u2014and of bringing consciousness to the other great problems which all impact each other and must all be addressed together.<\/p>\n\n\n\n<p>And Live Aid took an evolutionary step towards what this ultimately requires and means as well\u2014seeing and experiencing each other as one people on one planet with the same basic values and goals, who urgently must and can change the world.<\/p>\n\n\n\n<p>Going to the moon did this by seeing ourselves from the point of view of the universe. Live Aid did it from the point of view of being on earth together as a family responding to the needs of the most vulnerable with our hearts and souls on fire\u2013music fueling the fire, pictures of the children fueling the fire, and the broadcast spreading the fire to the whole human family, all having the same experience at the same moment.<\/p>\n\n\n\n<p>Live Aid took our anthem at World Campaign to being a global experience:<\/p>\n\n\n\n<p>We Are One.<\/p>\n\n\n\n<p>During the concert, literally, we had the epiphany that hatched our next project\u2014The Campaign To End Hunger\u2014as the necessary ongoing follow-up to a one day miracle in Live Aid and documentary films that had huge impact, but that under the best of circumstances would never be seen, or by definition continuously focused on, by most people.<\/p>\n\n\n\n<p>So how to keep and build the momentum? By an ongoing global public service advertising campaign seen by more people than had ever been reached in the most continuous way possible, on TV (and radio and print) to keep people educated and motivated to act.<\/p>\n\n\n\n<p>And just in time, a new concept that also changed the world, CNN, a 24-7 news channel created in 1980, was gaining traction, and the promise from creator-owner Ted Turner to air our spots globally in a serious way, for years, was made and kept.<\/p>\n\n\n\n<p>As by other networks and local stations. And for most of the next two decades, the Campaign To End Hunger, showing hunger, disease, population, human rights, war, and the environment as inextricably connected, reached the planet.<\/p>\n\n\n\n<p>All things are interlinked. Just as it was Live Aid that inspired our next step, our prior work starting in the seventies helped create and deliver the message on that unforgettable summer day 30 years ago.<\/p>\n\n\n\n<p>There were plenty of flaws with regard to the concert itself and the concept. The usual suspects of celebrity egos (the majority white men) in the equation of drugs, sex and rock n\u2019 roll, corporate sponsors jumping in like leeches to benefit themselves with socially responsible appearance, and the questions of how funds raised for aid projects were used, among other things.<\/p>\n\n\n\n<p>But as real and important as these flaws were, they were irrelevant in the larger scheme of things\u2014the evolutionary moment of what occurred.<\/p>\n\n\n\n<p>In the middle of the Me Decade Squared (the eighties), an urgent call to help others in the world was made and answered in a manner that had never been done. Concerts as fundraisers to do good? Yes, with many more to come to this day (largely because of Live Aid). But nothing like this. And the money-raising was beside the point.<\/p>\n\n\n\n<p>The urgent call by Bob Geldof led to the unimaginable response in ten weeks to set up concerts in London and Philadelphia of the most popular music groups of the time, who all performed for free.<\/p>\n\n\n\n<p>And the concerts were broadcast&nbsp;<em>live<\/em>, to at least&nbsp;<em>a third of the population of the planet or more&nbsp;<\/em>with the technology of 1985, also impossibly arranged in weeks, which brought the world together in a way never before done.<\/p>\n\n\n\n<p>Under the banner never to be forgotten:<\/p>\n\n\n\n<p>FEED THE WORLD.<\/p>\n\n\n\n<p>Seventy musical acts playing live on two continents, Princess Diana and Charles sitting in Wembley next to Bob Geldof and family, the hard-bitten reporters following them, the 170,000 capacity crowds at Wembley and JFK, and the&nbsp;<em>1.5 to 2 billion people watching on 95% of the TVs on earth<\/em>\u2014crying their eyes out together at the tragedy of children dying from hunger\u2014and the wondrous joy of coming together to end it, while some of the best, and certainly most popular, music in the world lit up their spirits.<\/p>\n\n\n\n<p>Countless more listened on radio. Remarkably, given the digital age of communications options today, altogether, in terms of percentage of world population, Live Aid almost certainly remains the largest shared live global broadcast in history.<\/p>\n\n\n\n<p>If you were alive and conscious, you know all about it.<\/p>\n\n\n\n<p>If not, use the following links for a taste of what happened that day, then use the internet for what it\u2019s good for and watch the whole thing.<\/p>\n\n\n\n<p>Catherine McHugh gave a synopsis of events with links that led to Live Aid and from it, in&nbsp;<a href=\"https:\/\/www.biography.com\/news\/live-aid-30th-anniversary\">\u201cLive Aid 30th Anniversary: The Day Rock and Roll Changed the World\u201d<\/a>. Here\u2019s an excerpt from the start of the piece in A&amp;E\u2019s Biography:<\/p>\n\n\n\n<p>\u201cToday, on the 30th anniversary of Live Aid, the event\u2019s success in raising both awareness about the famine in Africa and money for relief programs remains staggeringly impressive.<\/p>\n\n\n\n<p>Live Aid was staged on Saturday, July 13, 1985. About 75 different acts performed live for about 170,000 people in London and Philadelphia. Meanwhile, an estimated 1.5 billion people in 110 countries watched it via a live&nbsp;television stream from 13 satellites. More than 40 nations also held telethons for African famine relief during the broadcast.<\/p>\n\n\n\n<p>In our current digital age, these numbers may seem quaint, but in 1985, there was no World Wide Web, no email, no live blogging and no Twitter. Most people still listened to music by listening to the radio or playing vinyl records and cassette tapes; compact discs (CDs) only became widely available this same year.<\/p>\n\n\n\n<p>The event was a spectacular success\u2026\u201d<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=HvBgRSSlVBA\">Bono with U2<\/a>&nbsp;(still going strong, like Madonna, the ubiquitous Mick Jagger and many others there that day), and&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=vbvyNnw8Qjg\">Freddie Mercury with Queen<\/a>&nbsp;(who died six years later from AIDS, one day after publicly announcing he had the disease), in two of the most iconic (the terribly overused but truly deserved word here) performances of all time. Watch the entire audience participate in unison.<\/p>\n\n\n\n<p>The sea of people at the stadiums is just somehow different than anything you\u2019ve ever seen, in part because you know it represented the borderless sea of people watching and participating everywhere.<\/p>\n\n\n\n<p>Kristi York Wooten wrote a fantastic piece in The Atlantic yesterday, giving perspective to how historically important this event was and continues to be.<\/p>\n\n\n\n<p>There are some important errors, such as the phrase \u201cextreme poverty\u201d (a term tied to a specific income so low as to vastly understate severe poverty, much less those without real security of basic needs) having its wide use originate later as a result of Live Aid, or of former President Carter\u2019s ongoing involvement in development issues being linked to this, for instance. These had their origin on June 6, 1977 at the cabinet meeting where Cater announced he had seen our film and initiated a policy on hunger and related issues such as health and basic needs denied by poverty, memorialized in cabinet meeting minutes. Other critical influences by many extraordinary people and events had also occured before, converging with this moment, followed by the process of events which in turn created the fertile ground for Live Aid. The \u201cpoorest of the poor\u201d being the focus of developmental aid was at the heart of reform started as a result of the above, suffusing national and international aid language for years before Live Aid, a process in which the term \u201cextreme poverty\u201d then became increasingly used. Politicians and celebrities were already increasingly on board.<\/p>\n\n\n\n<p>But Live Aid was the next step in \u201cmovement-building\u201d, demonstrating that building movements takes both conscientious strategic work and readiness to respond to extraordinary and unpredictable events.<\/p>\n\n\n\n<p>And the extraordinary event of Live Aid was its own singular miracle, initiated by the perhaps still unmatched powerful broadcast journalism of Michael Buerk\u2019s reporting and Mohammed Amin\u2019s camera on the BBC and worldwide, and the response of Bob Geldof and Midge Ure and countless women and men who answered their call for the event.<\/p>\n\n\n\n<p>Here are some observations from Kristi York Wooten\u2019s Atlantic article,&nbsp;<a href=\"https:\/\/www.theatlantic.com\/entertainment\/archive\/2015\/07\/live-aid-anniversary\/398402\/\">\u201cThe Legacy of Live Aid, 30 Years Later\u201d<\/a>, July 13, 2015:<\/p>\n\n\n\n<p>\u201cToday, 30 years later, as famous figures continue to wield influence on social media to promote charities, Live Aid\u2019s legacy continues to be felt in fundraising efforts and movement-building&nbsp;around causes.<\/p>\n\n\n\n<p>\u2026There would be no red noses without Live Aid, at least according to the filmmaker Richard Curtis (Four Weddings and a Funeral, Love Actually), who co-founded Comic Relief and Red Nose Day in the 1980s after being inspired by Live Aid\u2019s organizer Bob Geldof. \u2018I remember watching [the ensemble] Band Aid and Live Aid and feeling like I should be involved, then I ended up in Ethiopia for three weeks,\u2019 he says. \u2018This was when the famine was still very bad, and I saw terrible things \u2018really close up\u2019 which changed my life completely. It led to a lifelong commitment to end extreme poverty.\u2019<\/p>\n\n\n\n<p>\u2026The images of starving children in one of the poorest places on earth moved Geldof (the lead singer of the Boomtown Rats) and Midge Ure (Ultravox) to write the charity single \u2018Do They Know It\u2019s Christmas?\u2019 and assemble an all-star group to record it that November. After accompanying the first shipment of aid to Ethiopia funded by the sale of the song in the spring of 1985, Geldof returned home to London, determined to do more, which led to the birth of Live Aid.<\/p>\n\n\n\n<p>\u2026Aid is still a complicated topic, yet progress on the continent is real: The Brookings Institute reports that the share of Africans living in extreme poverty fell from 60 percent in 1996 to 47 percent in 2011 and is expected to fall to 24 percent by 2030.<\/p>\n\n\n\n<p>The credit for these achievements belongs to African countries themselves, but Live Aid\u2019s acolytes\u2013including actors, musicians, doctors, aid workers, faith-based grassroots organizations, and average citizens\u2013have played a supporting role by lobbying governments to invest in programs that help fight the root causes of poverty and save lives from preventable diseases such as AIDS and malaria.<\/p>\n\n\n\n<p>\u2026If Live Aid had never happened, would Richard Branson have swum with Desmond Tutu while discussing world peace? Would Ted Turner have funded mosquito net initiatives, or Bill and Melinda Gates committed their wealth to provide vaccinations and contraceptives, or Jimmy Carter spent his post-presidency trying to eradicate tropical diseases in countries like Nigeria? Would George W. Bush have enacted PEPFAR (the President\u2019s Emergency Plan for AIDS Relief), a massive government initiative to fight AIDS\/HIV around the world? Would David Cameron have devoted unprecedented amounts of money to the UK\u2019s foreign assistance budget? It\u2019s also easy to question whether the African schools, water wells and AIDS-awareness campaigns of Oprah, Brad Pitt, Matt Damon, Will.i.am, Annie Lennox, and Alicia Keys would exist today if Live Aid hadn\u2019t set the precedent for celebrity focus on the continent.<\/p>\n\n\n\n<p>\u2026If a song had the power to make 1980s music fans feel like they could help \u2018feed the world,\u2019 it wasn\u2019t because they perceived themselves as colonialists, but rather as activists, says Coldplay\u2019s Chris Martin, who was 8 years old when Live Aid aired on the BBC in the summer of 1985. \u2018I remember it,\u2019 Martin says. \u2018It made my generation feel like caring for the world was part of the remit. Rock and roll doesn\u2019t have to be detached from society.\u2019 After Band Aid and Live Aid transformed the purchase of records and concert tickets into meaningful charitable contributions, music became the advocacy tool of choice. \u2018Do&nbsp;They Know It\u2019s Christmas?\u2019 inspired other records such as USA for Africa\u2019s \u2018We Are the World\u2019 for famine relief; Steven Van Zandt\u2019s \u2018Sun City\u2019 in protest of South African apartheid; and a Dionne Warwick remake of the Burt Bacharach ballad, \u2018That\u2019s What Friends Are For\u2019 for AIDS research.<\/p>\n\n\n\n<p>\u2026At Live Aid, regular songs became anthems as they assumed the gravitas of the day. Howard Jones\u2019s \u2018Hide and Seek;\u2019 U2\u2019s 12-minute version of \u2018Bad;\u2019 and the gospel overtones of Teddy Pendergrass singing, \u2018Reach Out and Touch (Somebody\u2019s Hand)\u2019 added to the show\u2019s groundswell. \u2018It was like dropping a pebble in a pond, and the ripples were huge,\u2019 says the co-organizer, Ure. \u2018The average guy on the street felt connected to making a difference. Live Aid wasn\u2019t [the artists\u2019 baby], it belonged to the fans. They created the momentum by putting their hands in their pockets, buying the record, and by being at the concerts.\u2019<\/p>\n\n\n\n<p>Elizabeth McLaughlin was 23 when she attended the London show and stood within feet of the stage. She remembers the moment the sun fell below the rim of Wembley Stadium and the audience clapped in unison to Queen\u2019s \u2018Radio Ga Ga.\u2019 \u2018People were crying a lot,\u2019 she says. \u2018The combination of the images on the screens and the messages coming from the artists reminded us why we were there. We knew we had to do more.\u2019 McLaughlin credits Live Aid for influencing her to leave a career as stockbroker and later become a country director for CARE. \u2018Whatever came out of Live Aid\u2019millions of pounds and dollars, that\u2019s great. But what really happened at the concert is that a new generation was born, a generation meant to be aware of what\u2019s going on around us.\u2019\u201d<\/p>\n\n\n\n<p>UPDATE 1:<\/p>\n\n\n\n<p>We\u2019ve been watching the concert for two days now\u2013it will take days to finish. No further words to try to describe the indescribable.<\/p>\n\n\n\n<p>WE URGE you as much as we can, to watch it yourself. There is an official version that has most but not all of it, and much is available in clips on You Tube and other sources. Just search and watch.<\/p>\n\n\n\n<p>Without diminishing any other parts of it, here\u2019s a few observations in addition to what was already written:<\/p>\n\n\n\n<p>One of the most memorable moments in modern history was when the CBC video was shown at Live Aid of scenes of starving children in Ethiopia. The background music was by the group \u201cThe Cars\u201d, known for up tempo music\u2013but their down tempo piece \u201cDrive\u201d was used for this.<\/p>\n\n\n\n<p>\u201cWhos gonna tell you when its too late. Whos gonna tell you things aren\u2019t so great\u201d it starts\u2013with&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=9xIpHNd3hjU\">a starving infant trying to stand<\/a>.<\/p>\n\n\n\n<p>\u2018There was not a dry eye left in Wembley stadium\u2019\u2013wrote Robin Levinson King yesterday in The Toronto Star marking the 30th anniversary. And not a dry eye on the planet watching.<\/p>\n\n\n\n<p>Then to the other end of the spectrum of emotion with the emblazoned image (you didn\u2019t need to be alive or to know where this came from\u2013you\u2019ve seen this) of Mick Jagger and Tina Turner at night in Wembley tearing it up (and tearing their clothes off to just the perfect tasteful extent to be a great act) with the only version of \u201c\u2018Its Only Rock And Roll\u2019 that has ever mattered since.<\/p>\n\n\n\n<p>And then swinging to another place in the spectrum, with Paul McCartney at the end of the night, mic not working at first, followed by the whole stadium joining in with&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=CSoYvI9t3ug\">\u201cLet It Be\u201d<\/a>.<\/p>\n\n\n\n<p>And while singing toward the end McCartney cries out, \u2018I want to thank God and everybody for doing this.\u2019<\/p>\n\n\n\n<p>Earlier, Sting and Phil Collins do a unique, beautiful duo of \u201cEvery Breath You Take\u201d. With a young saxophonist, Branford Marsalis, making it a trio moment also not to be forgotten.<\/p>\n\n\n\n<p>Which takes us to the famous Phil Collins story\u2013he left Wembley, hopped on a concorde and ended up at JFK in Philadelphia in the afternoon, the only artist to play at both stadiums on both continents the same day.<\/p>\n\n\n\n<p>Collins on drums with Eric Clapton doing \u201cLayla\u201d wasn\u2019t too bad.<\/p>\n\n\n\n<p>Then there was this young woman just about to burst into superstardom\u2013Madonna.<\/p>\n\n\n\n<p>She\u2019s like a kid, with all the energy in the world\u2013a smile to die for, and a voice that was, of course, the natural extraordinary voice that she has. She\u2019s dancing all over the stage, never stops moving, never misses a step or a beat, as she belts out&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=7jC9SWuKHpc\">\u201cHoliday\u201d<\/a>.<\/p>\n\n\n\n<p>With words for a special day:<\/p>\n\n\n\n<p>\u2018We can turn the world around, we will find a way to come together, celebration, come together, every nation.\u2019<\/p>\n\n\n\n<p>Then after finishing she says:<\/p>\n\n\n\n<p>\u2018You know there\u2019s a lot of major, quote, unquote, \u2018stars\u2019 here today \u2018but you know it doesn\u2019t matter whose here, its why you\u2019re here.\u2019<\/p>\n\n\n\n<p>And the end of the whole thing, hours after the end at Wembley, with an ensemble of music icons at JFK performing&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=00OeznNG4hM\">\u201cWe Are The World\u201d<\/a>.<\/p>\n\n\n\n<p>You\u2019ve got to see it. All of it.<\/p>\n\n\n\n<p>Twenty years later, in July again, 2005, many of the same stars, and many new ones, came together, for a follow-up to Live Aid, Live 8 (a reference to the G-8, the major world powers, meeting to discuss efforts to alleviate poverty). Here\u2019s Geldof again, venues in all eight nations, arranged well ahead of time and far easier to broadcast (to about 3 billion overall over a longer period than a day, and frighteningly in terms of population, probably a smaller percentage than saw and heard Live Aid).<\/p>\n\n\n\n<p>Live 8 was meant in part to pressure the G-8 into doing more to support the UN campaign to make poverty history (with millennium goals for a decade later, this year\u2013with progress made, and not).<\/p>\n\n\n\n<p>Sting \u201cstung\u201d with the message by turning the lyrics of \u201cEvery Breath You Take\u201d into an indictment of world leaders. Not a bad evolution.<\/p>\n\n\n\n<p>But perhaps the capper was the moment that took us back to the creation.<\/p>\n\n\n\n<p>Birhan Weldu was the three-year old starving girl in the CBC film at Live Aid who became the event\u2019s poster child. She recovered and life improved dramatically for her, but she is having difficulty now, financially (she appears to be getting help, as she should) and with the fame that has followed her. Like everyone, she says long-term development, more than food aid, is what\u2019s needed (Geldof has agreed for a long time\u2013and in fact both are needed in the right way, but that\u2019s another story.) On this 30th anniversary, she still praises Live Aid for what it accomplished.<\/p>\n\n\n\n<p>So, there\u2019s Bob Geldoff on stage in Hyde Park for Live 8, with the three year old girl who was days away from dying in the CBC film if she had not been saved from starvation, now a beaming 24-year old student.<\/p>\n\n\n\n<p>Then Geldof introduces Madonna, who takes Birhan Weldu in her arms, as she starts singing one of her most famous songs, the only version for all times now:<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=reMbyC4GHvQ\">\u201cLike A Prayer\u201d<\/a>.<\/p>\n\n\n\n<p>The Guardian reported on what happened when the film from Live Aid was shown at Live 8.<\/p>\n\n\n\n<p>\u2018Shown dozens of times in the past 20 years, the old Live Aid film of the Ethiopian famine set to Drive by the Cars should theoretically have had its impact dulled by familiarity. Instead, it stuns Hyde Park into silence.\u2019<\/p>\n\n\n\n<p>There\u2019s a prayer for the ages. Amen.<\/p>\n\n\n\n<p>And now, back to the purpose of the prayer.<\/p>\n\n\n\n<p>Action.<\/p>\n\n\n\n<p>UPDATE 2:<\/p>\n\n\n\n<p>Mandatory Viewing:<\/p>\n\n\n\n<p>It has become clear in watching the endless footage of the Live Aid concert and broadcast that there is one must for everyone to see or revisit\u2013the BBC documentary in 2005, the 20th anniversary year: \u201cLive Aid, Against all Odds.\u201d It\u2019s generally viewable in two parts, each about an hour and a half.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=h33i52ZtC8w\">Part One.<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=fr8OF-L1F3I\">Part Two<\/a>.<\/p>\n\n\n\n<p>You won\u2019t get far before the nurse who had to decide who was going to live and who was going to die in one of the camps in Ethiopia in 1984, and a BBC reporter covering the famine, make clear that when they first heard of the \u201cmusic coming to save Africa\u201d concept initialized with the \u201cDo They Know Its Christmas\u201d fundraising top of the charts single\u2014from the rich, white, brain dead on drugs, soul dead from narcissistic promiscuity, and all- around egomaniac celebrity crowd (pretty much the description they give)\u2014they treated the idea with the scorn it, frankly, deserved.<\/p>\n\n\n\n<p>Until they changed their minds because of what happened. It was a bit like Geldof himself, who was a self- obsessed celebrity, and became a kind of Schindler (presumably you\u2019ve seen \u201cSchindler\u2019s List\u201d, if not, stop, watch it, then come back), a self-obsessed shallow man who was changed completely by the experience of seeing incomprehensible human suffering and evil. Except in Geldof\u2019s case, the convergence in history that he was living in, which made possible the convergence he created, had a global evolutionary leap impact.<\/p>\n\n\n\n<p>The moment of sudden and striking realization for Geldof was the experience he describes of seeing the BBC news footage the night the whole western world saw it in 1984\u2013on the networks in the US when everyone watched NBC, ABC or CBS\u2013of starving babies and people completely unlike anything ever seen\u2013as riveting as it gets.<\/p>\n\n\n\n<p>Everything wrong with celebrities, or the world, or the rich (people and nations), giving with one hand and taking with another, and the cultures which enable this, and the general selfishness and denial of the great majority of the populations in the west, and the powerful few bleeding out their own people in the poor nations, and cultural collusion and denial here too, all part of the human struggle between good and evil, and so on\u2014were true before, during and after. But also true, was and is, that starting with one person (as often the case) relentlessly committed to making a difference urgently, the world was changed\u2013for a moment electrifying everyone involved and reminding of what we are all about in the end. And after the moment passed, the world was still moved forward in the big picture, in the grinding toward the possibility of one world functioning rather than one world being destroyed.<\/p>\n\n\n\n<p>This documentary captures the entirety of the human experience, the behind the scenes footage no one had seen, interviews then and now, brutal and beautiful honesty, moving beyond all words to hysterical (yes, all the parts of life are always involved), and the music, and the point, of course.<\/p>\n\n\n\n<p>Do Not Miss It.<\/p>\n\n\n\n<p>In many ways, without seeing this, you can\u2019t know, or fully know, where we\u2019ve been, what happened, where we are and where we\u2019re going.<\/p>\n\n\n\n<p>Of course, many other things are required to accomplish the above.<\/p>\n\n\n\n<p>But this is one of the absolute necessities.<\/p>\n\n\n\n<p><strong>. . .<\/strong><\/p>\n\n\n\n<p><em>To be continued.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Back to News Planet Earth Foundation, World Campaign, Issue of the Week, July 13, 2015 Today, 40 years ago, the most extraordinary global broadcast of the most extraordinary concert to raise funds to feed the hungry, reaching about 2 billion people, at the time close to half the population of the planet (by percentage the [&hellip;]<\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[55,54],"tags":[],"_links":{"self":[{"href":"https:\/\/worldcampaign.net\/index.php?rest_route=\/wp\/v2\/posts\/16543"}],"collection":[{"href":"https:\/\/worldcampaign.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worldcampaign.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worldcampaign.net\/index.php?rest_route=\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/worldcampaign.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16543"}],"version-history":[{"count":15,"href":"https:\/\/worldcampaign.net\/index.php?rest_route=\/wp\/v2\/posts\/16543\/revisions"}],"predecessor-version":[{"id":17245,"href":"https:\/\/worldcampaign.net\/index.php?rest_route=\/wp\/v2\/posts\/16543\/revisions\/17245"}],"wp:attachment":[{"href":"https:\/\/worldcampaign.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worldcampaign.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16543"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worldcampaign.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}